Many of the best games published or supported by Sony—whether flagship PlayStation games or cult-favorite nama 138 PSP games—have evolved into more than just entertainment. They’ve become part of culture. This transformation doesn’t happen through branding alone. It’s the result of worldbuilding, emotional authenticity, and characters who leave the screen and enter conversation, art, and identity.

The Last of Us franchise is an obvious landmark. Originally praised for its storytelling and gameplay, the series has expanded into television, music covers, cosplay, and academic discourse. Ellie and Joel aren’t just game characters—they’re cultural figures. Sony’s belief in the narrative weight of this IP allowed it to move beyond the console, and into global consciousness. Few companies support games with such cinematic and literary potential.

Spider-Man games, though based on an existing cultural icon, have also reshaped how people view the hero. Miles Morales, in particular, has become a symbol of representation in gaming. Sony ensured that his story wasn’t just about swinging through New York—it was about community, identity, and legacy. The impact of that portrayal has rippled into comics, film, and fan media worldwide.

PSP games may not have had the same multimedia platforms, but they seeded long-term fandoms. Persona 3 Portable helped introduce Western audiences to complex character-driven Japanese RPGs, inspiring fan fiction, art, and even real-world events like concerts. Dissidia Final Fantasy became more than a fighter—it became a nostalgia-infused arena for celebrating decades of storytelling, bringing generations of fans together.

Sony doesn’t just produce games—they curate legacies. When their titles resonate beyond gameplay and become symbols, references, and shared experiences, they move from the console into the culture itself. And that, perhaps, is the highest mark of storytelling.